米開朗基羅 Michelangelo Buonarroti

13 歲入 Medici 雕塑學校、15 歲被 Torrigiano 打斷鼻、24 歲完成《聖殤》、26 歲開始《大衛》、33 歲被 Pope 強逼仰躺 4 年畫西斯汀天頂——他抗議「我是雕塑家不是畫家」。61 歲畫《最後的審判》把自己畫成被剝皮的人、71 歲接掌聖彼得圓頂、80 歲還在敲打 Pietà。終身未娶,57 歲愛上 23 歲的 Cavalieri 寫上百首情詩。88 歲死,圓頂 26 年後才完工——成為西方所有大圓頂的祖型。

Entered the Medici sculpture school at 13, had his nose broken by Torrigiano at 15, finished the Pietà at 24, began the David at 26. At 33 Pope Julius II forced him onto his back for four years to paint the Sistine ceiling — he protested, "I am a sculptor, not a painter." At 61 he painted the Last Judgment and put himself in it as a flayed skin; at 71 he took charge of St. Peter's dome; at 80 he was still hammering at a Pietà. Never married. At 57 he fell in love with the 23-year-old Cavalieri and wrote him hundreds of sonnets. He died at 88 — the dome of St. Peter's, completed 26 years later, became the ancestor of every great Western dome.

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1470 – 1498 · 5 條事件 1470 – 1498 · 5 events

1475 年 culture

出生 Caprese·父親是地方官 Born in Caprese — Father a Local Magistrate

出生 Caprese·父親是地方官 / Born in Caprese — Father a Local Magistrate
圖:Attributed to Daniele da Volterra · CC0 · Wikimedia CommonsImage: Attributed to Daniele da Volterra · CC0 · Wikimedia Commons

3 月 6 日出生 Tuscany 山城 Caprese。父親 Lodovico Buonarroti 是地方治安官、家世微薄貴族。母親早逝、由托斯卡尼採石工家庭奶大——日後米開朗基羅笑稱:「跟石頭一起長大,難怪天賦在石頭上。」

Born March 6 in the Tuscan hill town of Caprese. His father Lodovico Buonarroti was a minor magistrate of modest noble lineage. His mother died early; Michelangelo was raised by a family of stonecutters in Settignano. He later joked: "With my mother's milk I sucked in the hammer and chisels — no wonder my gift is in stone."

相關主軸:Related axes:義大利Italy
1475 年 culture

米開朗基羅一生 88 年·文藝復興最後巨匠 Michelangelo · 88 Years

米開朗基羅一生 88 年·文藝復興最後巨匠 / Michelangelo · 88 Years
圖:Commonists · CC BY-SA 4.0 · Wikimedia CommonsImage: Commonists · CC BY-SA 4.0 · Wikimedia Commons

從佛羅倫斯雕塑學徒到聖彼得大教堂建築師,跨越文藝復興與反宗教改革兩個時代。雕塑、繪畫、建築、詩四項皆達巔峰;24 歲完成 Pietà、26-29 歲完成 David、33-37 歲畫西斯汀天頂、61-66 歲畫 Last Judgment、71 歲接掌聖彼得圓頂、88 歲死。永不結婚,與年輕貴族 Tommaso Cavalieri 通信寫情詩。

From a Florentine sculpture apprentice to architect of St. Peter's Basilica, his life spanned the Renaissance into the Counter-Reformation. Master in sculpture, painting, architecture, and poetry: at 24 the Pietà, at 26-29 the David, at 33-37 the Sistine ceiling, at 61-66 the Last Judgment, at 71 took charge of St. Peter's dome, dead at 88. Never married, exchanged love poems with the young nobleman Tommaso Cavalieri.

相關主軸:Related axes:義大利Italy藝術文化Arts & Culture基督教Christianity
1488 年 culture

13 歲入 Medici 雕塑學校 At 13, Enters the Medici Sculpture School

13 歲入 Medici 雕塑學校 / At 13, Enters the Medici Sculpture School
圖:Template:Unknown Weaver, Italian (active 1570s in Florence) · Public domain · Wikimedia CommonsImage: Template:Unknown Weaver, Italian (active 1570s in Florence) · Public domain · Wikimedia Commons

13 歲不顧父親反對拜入 Ghirlandaio 畫坊。半年後被 Lorenzo de' Medici (偉人) 看中,召入 Medici 宮廷的雕塑學校。在此 4 年研究古代雕塑、與 Lorenzo 之子 (後 Pope Leo X)、Pico della Mirandola、新柏拉圖學派人文學者同桌——文藝復興最高層教育。

At 13, against his father's wishes, apprenticed in the workshop of Ghirlandaio. Six months later Lorenzo "the Magnificent" de' Medici noticed him and brought him into the Medici sculpture school. For four years he studied antique sculpture and dined with Lorenzo's sons (one would become Pope Leo X), Pico della Mirandola, and the Neo-Platonist humanists — the highest table of the Renaissance.

相關主軸:Related axes:義大利Italy文藝復興Italian Renaissance藝術文化Arts & Culture
1491 年 war

被同學 Torrigiano 打斷鼻 Nose Broken by Fellow Student Torrigiano

被同學 Torrigiano 打斷鼻 / Nose Broken by Fellow Student Torrigiano
圖:Pietro Torrigiano · Public domain · Wikimedia CommonsImage: Pietro Torrigiano · Public domain · Wikimedia Commons

15 歲在 Medici 學校嘲笑同學 Pietro Torrigiano 畫不好,被一拳打斷鼻樑——終身扁鼻。日後所有米開朗基羅自畫像皆顯示這扁鼻。Torrigiano 流亡到英國、為亨利七世造陵墓。米開朗基羅從此性格更內向陰沉。

At 15, at the Medici school, he mocked his fellow student Pietro Torrigiano's drawing — and was punched so hard his nose was broken for life. Every Michelangelo self-portrait shows that flattened nose. Torrigiano fled to England and built Henry VII's tomb. Michelangelo grew darker and more withdrawn.

相關主軸:Related axes:義大利Italy英國United Kingdom
1494 年 war

Medici 倒·19 歲流亡 Bologna Medici Fall — Flees to Bologna at 19

Medici 倒·19 歲流亡 Bologna / Medici Fall — Flees to Bologna at 19
圖:Fra Bartolomeo · Public domain · Wikimedia CommonsImage: Fra Bartolomeo · Public domain · Wikimedia Commons

Lorenzo 1492 年死、Savonarola 1494 領佛羅倫斯起義驅 Medici。米開朗基羅作為前 Medici 寵兒立刻流亡 Bologna 與威尼斯。1495 偷返佛羅倫斯,造一尊古代風格的 Cupid,Cardinal Riario 上當把它當古董買去——米開朗基羅後來被找到、獲邀去羅馬修古玩。

Lorenzo died in 1492; Savonarola led the Florentine revolt that drove out the Medici in 1494. Michelangelo, a former Medici protégé, immediately fled to Bologna and Venice. He sneaked back to Florence in 1495 and carved a Cupid in antique style; Cardinal Riario in Rome was tricked into buying it as a genuine ancient — when the truth came out, Michelangelo was invited to Rome to repair old pieces.

相關主軸:Related axes:義大利Italy文藝復興Italian Renaissance

1498 – 1527 · 11 條事件 1498 – 1527 · 11 events

1499 年 culture

《聖殤》Pietà·24 歲唯一署名作 Pietà — At 24, His Only Signed Work

《聖殤》Pietà·24 歲唯一署名作 / Pietà — At 24, His Only Signed Work
圖:Stanislav Traykov · CC BY 2.5 · Wikimedia CommonsImage: Stanislav Traykov · CC BY 2.5 · Wikimedia Commons

在羅馬接 French Cardinal de Bilhères 委託,24 歲完成《聖殤》——聖母懷抱基督屍體。當時懷疑是別人作品,米開朗基羅夜裡溜進聖彼得在聖母腰帶上刻:「Michelangelus Bonarotus Florentinus Faciebat」(佛羅倫斯人米開朗基羅作)。是他唯一一次署名作品——日後悔之,從不再簽。今藏聖彼得大教堂。

Commissioned by the French Cardinal Jean de Bilhères, completed at 24: the Virgin holding the dead Christ. When viewers attributed it to a more famous sculptor, Michelangelo at night slipped into St. Peter's and carved on the Virgin's sash: "Michelangelus Bonarotus Florentinus Faciebat" — "Michelangelo of Florence made this." His only signed work — he regretted it and never signed another. Still in St. Peter's today.

相關主軸:Related axes:義大利Italy藝術文化Arts & Culture基督教Christianity
1501 年 culture

《大衛像》·26 歲、5.17m 高 David — Age 26, 5.17 Meters Tall

《大衛像》·26 歲、5.17m 高 / David — Age 26, 5.17 Meters Tall
圖:Commonists · CC BY-SA 4.0 · Wikimedia CommonsImage: Commonists · CC BY-SA 4.0 · Wikimedia Commons

接佛羅倫斯主教座堂委託,從 40 年無人敢動的 5.5 噸大理石塊雕出 David——5.17 米高、4 年完成。表現大衛擲石前一刻的緊繃。揭幕時引爭議:放在何處?放佛羅倫斯市政廳前 (Palazzo Vecchio) 朝向羅馬,象徵「弱小共和國對抗強權」。

Commissioned by the Florence Cathedral, Michelangelo carved David from a 5.5-ton block of marble that had sat untouched for 40 years (others had given up on it). 5.17 meters tall, four years to finish — David in the tense moment before throwing the stone. When unveiled, arguments raged over where to put it; it was placed in front of the Palazzo Vecchio facing Rome — symbolizing "the small republic against the great power."

相關主軸:Related axes:義大利Italy藝術文化Arts & Culture文藝復興Italian Renaissance
1504 年 politics

米開朗基羅《大衛》 Michelangelo's David

米開朗基羅《大衛》 / Michelangelo's David
圖:Commonists · CC BY-SA 4.0 · Wikimedia CommonsImage: Commonists · CC BY-SA 4.0 · Wikimedia Commons

9 月 8 日 Michelangelo 用一塊廢棄 40 年的 5 公尺白大理石雕成《大衛》像,立於佛羅倫斯 Palazzo Vecchio 前(今藏 Galleria dell'Accademia)。象徵共和精神對抗 Goliath,文藝復興雕塑巔峰之作。

On September 8, Michelangelo carved 'David' from a 5-meter marble slab abandoned for 40 years. Placed before Palazzo Vecchio (now in Galleria dell'Accademia), it symbolized republican Florence facing its Goliaths — the pinnacle of Renaissance sculpture.

相關主軸:Related axes:藝術文化Arts & Culture基督教Christianity米開朗基羅·雕塑Michelangelo · Sculpture
1505 年 culture

與達文西同壁畫競賽·雙未完 Wall-Painting Duel with Leonardo — Both Unfinished

與達文西同壁畫競賽·雙未完 / Wall-Painting Duel with Leonardo — Both Unfinished
圖:Bastiano da Sangallo / After Michelangelo · Public domain · Wikimedia CommonsImage: Bastiano da Sangallo / After Michelangelo · Public domain · Wikimedia Commons

佛羅倫斯市政廳委託:達文西畫《Anghiari 戰役》、米開朗基羅同時畫《Cascina 戰役》於同一房間對牆。兩位文藝復興最高峰首度正面對決。米開朗基羅僅完成草稿 (年輕士兵裸體沐浴、聞警急穿衣)、被 Pope 召羅馬畫西斯汀。雙雙未完成。草稿後被學徒臨摹、原稿失傳。

The Florentine Signoria commissioned Leonardo to paint The Battle of Anghiari and Michelangelo to paint The Battle of Cascina on opposite walls of the same hall. The two giants of the Renaissance, head to head. Michelangelo finished only the cartoon (nude young soldiers bathing when an alarm sounds, scrambling for clothes); then Pope Julius II called him to Rome for the Sistine ceiling. Both works went unfinished; copies survive of Michelangelo's cartoon, the original lost.

相關主軸:Related axes:義大利Italy藝術文化Arts & Culture文藝復興Italian Renaissance
1505 年 culture

Julius II 陵墓·40 年悲劇 Tomb of Julius II — A 40-Year Tragedy

Julius II 陵墓·40 年悲劇 / Tomb of Julius II — A 40-Year Tragedy
圖:Mariordo · CC BY-SA 4.0 · Wikimedia CommonsImage: Mariordo · CC BY-SA 4.0 · Wikimedia Commons

教宗 Julius II 1505 委託他造陵,原計畫含 40 件超大雕像、放在新聖彼得大教堂中央。但 Pope 反覆變心、改派他畫西斯汀、又因錢中斷。米開朗基羅與多任教宗反覆協商 40 年,最終縮水版 1545 才在 San Pietro in Vincoli 完成——只剩中央 Moses 與兩側 Leah/Rachel 三尊。米開朗基羅自稱「人生的悲劇」。

Pope Julius II commissioned the tomb in 1505 — originally planned with 40 enormous sculptures at the center of the new St. Peter's. But the Pope kept changing his mind, diverted Michelangelo to the Sistine ceiling, then ran out of money. Michelangelo negotiated with successive popes for 40 years; a much-reduced version was finally finished in 1545 at San Pietro in Vincoli — just Moses at the center flanked by Leah and Rachel. He called it "the tragedy of my life."

相關主軸:Related axes:義大利Italy基督教Christianity藝術文化Arts & Culture
1508 年 culture

米開朗基羅・西斯廷天花板 Michelangelo — Sistine Chapel

米開朗基羅・西斯廷天花板 / Michelangelo — Sistine Chapel
圖:Attributed to Daniele da Volterra · Public domain · Wikimedia CommonsImage: Attributed to Daniele da Volterra · Public domain · Wikimedia Commons

米開朗基羅歷時四年完成西斯廷禮拜堂天花板壁畫,《創世紀》是文藝復興藝術的巔峰之作。

Michelangelo spends four years painting the Sistine Chapel ceiling; the Creation of Adam is the pinnacle of Renaissance art.

相關主軸:Related axes:歐洲Europe米開朗基羅Michelangelo
1508 年 culture

西斯汀天頂·4 年仰躺繪 343 人物 Sistine Chapel Ceiling — 4 Years Lying on His Back, 343 Figures

西斯汀天頂·4 年仰躺繪 343 人物 / Sistine Chapel Ceiling — 4 Years Lying on His Back, 343 Figures
圖:Jörg Bittner Unna · CC BY 3.0 · Wikimedia CommonsImage: Jörg Bittner Unna · CC BY 3.0 · Wikimedia Commons

33 歲被 Pope Julius II 強迫接下西斯汀天頂訂單。米開朗基羅抗議:「我是雕塑家不是畫家。」原計畫 12 使徒,他自行擴大為《創世紀》九大幕——40 米長、343 人物、4 年完成。仰躺鷹架繪畫致頸椎、視力受損,他寫詩自嘲:「我長像 Lombardy 醃肉柄,鬍子向天、頸推到背。」1512.10.31 揭幕,世界震驚。

At 33, Pope Julius II forced him to accept the Sistine ceiling commission. Michelangelo protested: "I am a sculptor, not a painter." The plan was for 12 apostles; he expanded it himself into the nine-scene Genesis — 40 meters long, 343 figures, four years. Painting on his back ruined his neck and eyesight; he wrote a sonnet mocking himself: "My beard turns up to heaven, my neck I bend... I look like a Lombardy cured ham on a pole." Unveiled October 31, 1512 — the world was stunned.

相關主軸:Related axes:義大利Italy藝術文化Arts & Culture基督教Christianity
1511 年 culture

《創造亞當》·西方藝術最著名手指 Creation of Adam — The Most Famous Fingers in Western Art

《創造亞當》·西方藝術最著名手指 / Creation of Adam — The Most Famous Fingers in Western Art
圖:Michelangelo · Public domain · Wikimedia CommonsImage: Michelangelo · Public domain · Wikimedia Commons

西斯汀天頂中央場景。上帝伸右手指向亞當伸出的左手,兩指間僅一吋距離——這個「即將碰觸但未碰」的瞬間成為西方藝術最知名的圖像。背後上帝披風形似人腦解剖切面 (1990 醫師 Frank Meshberger 提出),學界爭議是否米開朗基羅有意——他確實偷解剖過屍體。

The central scene of the Sistine ceiling. God extends his right index finger toward Adam's outstretched left — the two fingers an inch apart, never quite touching. This "about to touch but not" moment became the most iconic image in Western art. The shape behind God resembles a cross-section of the human brain (proposed by physician Frank Meshberger in 1990); scholars debate whether Michelangelo did this knowingly — he did dissect cadavers in secret.

相關主軸:Related axes:義大利Italy藝術文化Arts & Culture科學技術Science & Tech
1512 年 politics

米開朗基羅西斯汀禮拜堂天頂 Sistine Chapel Ceiling

米開朗基羅西斯汀禮拜堂天頂 / Sistine Chapel Ceiling
圖:Antoine Taveneaux · CC BY-SA 3.0 · Wikimedia CommonsImage: Antoine Taveneaux · CC BY-SA 3.0 · Wikimedia Commons

10 月 31 日 Michelangelo 完成 4 年的西斯汀禮拜堂天頂壁畫(1508-1512),繪 9 幅創世記場景含《創造亞當》。教宗 Julius 二世委製。1535-41 年 Michelangelo 再繪《最後的審判》於祭壇。

On October 31, Michelangelo completed four years of work (1508-1512) on the Sistine Chapel ceiling — nine Genesis scenes including 'The Creation of Adam,' commissioned by Pope Julius II. He returned to paint 'The Last Judgment' on the altar wall in 1535-41.

相關主軸:Related axes:藝術文化Arts & Culture基督教Christianity米開朗基羅·壁畫Michelangelo · Frescoes
1515 年 culture

《摩西像》·額頭上的「角」 Moses — The Famous Horns on the Forehead

《摩西像》·額頭上的「角」 / Moses — The Famous Horns on the Forehead
圖:Adolphe Braun · PDM-owner · Wikimedia CommonsImage: Adolphe Braun · PDM-owner · Wikimedia Commons

Julius II 陵墓中央雕像,1.4 倍真人尺寸。摩西額頭上有兩個角——源自拉丁聖經 Vulgate 翻譯誤譯:希伯來文「光輝」(qaran) 被誤讀為「角」(qeren)。米開朗基羅照當時通行版本雕。傳說他完成後拿錘子敲膝蓋說:「Perché non parli? (你為何不說話?)」。今在 San Pietro in Vincoli。

The central figure of Julius II's tomb, 1.4 times life-size. Moses has two horns on his forehead — from a famous mistranslation in the Latin Vulgate Bible: the Hebrew word qaran ("radiant") was misread as qeren ("horn"). Michelangelo followed the standard text of his day. Legend says when he finished he struck the knee with a hammer and shouted: "Perché non parli?" — "Why don't you speak?" Today in San Pietro in Vincoli.

相關主軸:Related axes:義大利Italy基督教Christianity藝術文化Arts & Culture
1520 年 culture

Medici 陵墓·Day Night Dawn Dusk Medici Tombs — Day, Night, Dawn, Dusk

Medici 陵墓·Day Night Dawn Dusk / Medici Tombs — Day, Night, Dawn, Dusk
圖:Fefecece · CC0 · Wikimedia CommonsImage: Fefecece · CC0 · Wikimedia Commons

接 Pope Leo X (Medici) 委託,在佛羅倫斯 San Lorenzo 教堂建 Medici 家族陵墓。包括兩位 Medici 公爵雕像,下方一對對寓意像——Day/Night、Dawn/Dusk。Night 是男性化裸女、Day 是未磨光的粗糙——表達死亡與時間的悲愴。1527 米開朗基羅參加佛羅倫斯共和國抗 Medici 運動,後被 Pope 寬恕回去繼續做 Medici 陵。

Commissioned by Pope Leo X (a Medici), to build the family tombs in Florence's San Lorenzo basilica. Two Medici dukes stand above pairs of allegorical figures — Day/Night, Dawn/Dusk. Night is a muscular nude woman; Day is left rough-cut — expressing the sorrow of death and time. In 1527 Michelangelo joined the Florentine Republican uprising against the Medici; the Pope later pardoned him and he returned to finish their tombs.

相關主軸:Related axes:義大利Italy文藝復興Italian Renaissance藝術文化Arts & Culture

1527 – 1556 · 5 條事件 1527 – 1556 · 5 events

1532 年 culture

愛上 Tommaso Cavalieri·百首情詩 Falls for Tommaso Cavalieri — Hundreds of Love Sonnets

愛上 Tommaso Cavalieri·百首情詩 / Falls for Tommaso Cavalieri — Hundreds of Love Sonnets
圖:unknown, possibly Daniele da Volterra or Michelangelo · Public domain · Wikimedia CommonsImage: unknown, possibly Daniele da Volterra or Michelangelo · Public domain · Wikimedia Commons

57 歲在羅馬遇 23 歲貴族青年 Tommaso de' Cavalieri,深愛之。終身未娶的米開朗基羅為 Cavalieri 寫上百首十四行詩、給他畫超大幅 chalk 素描。Cavalieri 始終回應禮貌但保持距離。19 世紀整理米開朗基羅情詩時,編輯把男性代名詞全改成女性,直到 1900 年代才還原。

At 57 in Rome he met the 23-year-old nobleman Tommaso de' Cavalieri and fell deeply in love. The lifelong-unmarried Michelangelo wrote him hundreds of sonnets and made him oversized chalk drawings. Cavalieri replied politely but kept distance. When his love poems were first published in the 19th century, the editor changed every male pronoun to female; only in the 1900s were they restored.

相關主軸:Related axes:義大利Italy
1536 年 culture

《最後的審判》·西斯汀祭壇牆 Last Judgment — Sistine Altar Wall

《最後的審判》·西斯汀祭壇牆 / Last Judgment — Sistine Altar Wall
圖:Michelangelo · Public domain · Wikimedia CommonsImage: Michelangelo · Public domain · Wikimedia Commons

61 歲應 Pope Paul III 委託,在西斯汀禮拜堂祭壇牆畫《最後的審判》——20 米高、5 年完成、390 人物。基督在中央以宙斯式裸體現身、聖人圍繞、地獄拖人下沉。劃時代的反宗教改革宣言。米把自己畫成被聖巴托羅謬手中提的「剝下的人皮」——無聲的自畫像。

At 61, commissioned by Pope Paul III, he painted the Last Judgment on the Sistine altar wall — 20 meters high, five years to finish, 390 figures. Christ stands center, naked in Zeus-like power, surrounded by saints; the damned are dragged into hell. A landmark Counter-Reformation statement. Michelangelo painted himself as the flayed skin held by Saint Bartholomew — a silent, anguished self-portrait.

相關主軸:Related axes:義大利Italy藝術文化Arts & Culture基督教Christianity
1538 年 culture

與詩人 Vittoria Colonna 知己 Spiritual Friendship with Poet Vittoria Colonna

與詩人 Vittoria Colonna 知己 / Spiritual Friendship with Poet Vittoria Colonna
圖:Girolamo Muziano · Public domain · Wikimedia CommonsImage: Girolamo Muziano · Public domain · Wikimedia Commons

63 歲在羅馬與寡婦詩人 Vittoria Colonna (40 多歲) 結為靈性密友。9 年間互寫信、論宗教、互改詩。Vittoria 1547 死時,米開朗基羅在床邊只敢吻她的手。寫詩:「天使從她臉上學優雅、上帝從她身上學一切美。」是他成年後最深的情感連結。

At 63 in Rome he formed a deep spiritual friendship with the widowed poet Vittoria Colonna (in her 40s). For nine years they exchanged letters, discussed religion, and edited each other's poems. When she died in 1547, Michelangelo at her bedside could only bring himself to kiss her hand — he later regretted not kissing her face. He wrote: "From her face the angels learn grace; from her body, God all beauty." His deepest adult emotional bond.

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1546 年 culture

71 歲接掌聖彼得圓頂建築 At 71, Takes Charge of St. Peter's Basilica

71 歲接掌聖彼得圓頂建築 / At 71, Takes Charge of St. Peter's Basilica
圖:Larry from Charlottetown, PEI, Canada · CC BY 2.0 · Wikimedia CommonsImage: Larry from Charlottetown, PEI, Canada · CC BY 2.0 · Wikimedia Commons

前建築師 Antonio da Sangallo 死後,Pope Paul III 任命 71 歲的米開朗基羅為聖彼得大教堂首席建築師。米拒絕薪水、視為「為靈魂救贖而做」。設計新圓頂——直徑 42 米,比 Brunelleschi 的佛羅倫斯圓頂大、影響後世美國國會山莊與華盛頓特區所有大圓頂設計。

After the death of the previous architect Antonio da Sangallo, Pope Paul III named the 71-year-old Michelangelo chief architect of St. Peter's Basilica. Michelangelo refused payment, calling it "for the salvation of my soul." He designed the new dome — 42 meters in diameter, larger than Brunelleschi's Florence dome — influencing every later great dome including the US Capitol.

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1555 年 culture

晚年 Pietà·自雕為 Nicodemus Late Pietà — Self-Portrait as Nicodemus

晚年 Pietà·自雕為 Nicodemus / Late Pietà — Self-Portrait as Nicodemus
圖:Yair Haklai · CC BY-SA 4.0 · Wikimedia CommonsImage: Yair Haklai · CC BY-SA 4.0 · Wikimedia Commons

80 歲開始的最後一件雕塑《Florence Pietà》,預備為自己墓前像。基督屍體下方扶持的老人 Nicodemus 是米開朗基羅的自畫像 (戴頭巾、扁鼻)。1555 因不滿意敲碎基督左腿,學徒撿回拼裝。今藏佛羅倫斯主教座堂博物館。死前還有更晚的《Rondanini Pietà》(1564),未完成。

Begun at 80, his last sculpture — the Florence Pietà, intended for his own tomb. The old man supporting Christ's body, Nicodemus, is Michelangelo's self-portrait (turban, broken nose). In 1555, dissatisfied, he smashed Christ's left leg with a hammer; a student reassembled the pieces. Now in the Museo dell'Opera del Duomo, Florence. He was still working on a yet later Rondanini Pietà (1564) when he died — unfinished.

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1556 – 1585 · 5 條事件 1556 – 1585 · 5 events

1564 年 2 月 culture

2/18 死於羅馬·88 歲 February 18 — Dies in Rome at 88

2/18 死於羅馬·88 歲 / February 18 — Dies in Rome at 88
圖:Paolo da Reggio · CC BY-SA 3.0 · Wikimedia CommonsImage: Paolo da Reggio · CC BY-SA 3.0 · Wikimedia Commons

2 月 18 日死於羅馬寓所,88 歲。臨終遺言:「靈魂歸天父、肉體歸土地、財物歸親人。」(Anima a Dio, Corpo alla Terra, Roba ai Parenti.)。最後一週還在工作 Rondanini Pietà。死後遺體被姪子偷運回佛羅倫斯,葬聖十字教堂——與 Galileo、Machiavelli 同葬。

Died February 18 in his Rome home at 88. His last words: "My soul to God, my body to the earth, my possessions to my relatives" (Anima a Dio, Corpo alla Terra, Roba ai Parenti). He had been working on the Rondanini Pietà the week he died. His nephew secretly smuggled the body back to Florence; he is buried in Santa Croce — beside Galileo and Machiavelli.

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1565 年 culture

死後即被遮蔽·Daniele 加丁字褲 Posthumously Censored — Daniele Adds Loincloths

死後即被遮蔽·Daniele 加丁字褲 / Posthumously Censored — Daniele Adds Loincloths
圖:Daniele da Volterra · Public domain · Wikimedia CommonsImage: Daniele da Volterra · Public domain · Wikimedia Commons

反宗教改革 Trent 大公會議認為《最後的審判》裸體不雅。米開朗基羅死次年,學徒 Daniele da Volterra 被命給最暴露人物加上丁字褲——後世戲稱他 Il Braghettone「製褲匠」。後世清洗時部分丁字褲被移除、部分保留。今日所見是混合版。

The Council of Trent ruled the Last Judgment's nudity indecent. The year after Michelangelo died, his pupil Daniele da Volterra was ordered to add loincloths to the most exposed figures — earning him the mocking nickname "Il Braghettone" ("the Breeches-Maker"). Later cleanings removed some loincloths and left others; today's wall is a mixed version.

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1590 年 culture

聖彼得圓頂死後 26 年完成 St. Peter's Dome Completed 26 Years After His Death

聖彼得圓頂死後 26 年完成 / St. Peter's Dome Completed 26 Years After His Death
圖:Dennis G. Jarvis · CC BY-SA 2.0 · Wikimedia CommonsImage: Dennis G. Jarvis · CC BY-SA 2.0 · Wikimedia Commons

米開朗基羅 1564 死時聖彼得圓頂只完成到鼓座 (drum)。Giacomo della Porta 與 Domenico Fontana 依米的設計圖完成,1590 年 12 月 14 日封頂。圓頂 119 米高,基本忠於米的原設計。為西方所有大圓頂建築 (倫敦聖保羅、巴黎萬神殿、華盛頓國會山莊) 的祖型。

When Michelangelo died in 1564, the dome of St. Peter's was only finished to the drum. Giacomo della Porta and Domenico Fontana completed it from his designs, capping it on December 14, 1590. 119 meters tall, faithful in essence to Michelangelo's plan. The ancestor of every later great dome — St. Paul's London, the Panthéon Paris, the US Capitol.

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1972 年 war

1972 Pietà 被瘋漢錘擊·15 下毀容 1972 — Madman Attacks Pietà with a Hammer, 15 Blows

1972 Pietà 被瘋漢錘擊·15 下毀容 / 1972 — Madman Attacks Pietà with a Hammer, 15 Blows
圖:Fonte Umberto Baldini, Michelangelo scultore, Rizzoli, Milano 1973 Data 1972 Aut · Public domain · Wikimedia CommonsImage: Fonte Umberto Baldini, Michelangelo scultore, Rizzoli, Milano 1973 Data 1972 Aut · Public domain · Wikimedia Commons

1972.05.21 (Pentecost 五旬節) 一名 33 歲匈牙利-澳洲地質學家 László Toth 在聖彼得大教堂衝向 Pietà 大喊「我是耶穌基督!」,舉地質錘連敲 15 下。聖母左臂被打斷、鼻、眼皮、面紗碎裂。耗時 3 年修復、現以防彈玻璃保護。

On May 21, 1972 (Pentecost), a 33-year-old Hungarian-Australian geologist named László Toth charged the Pietà in St. Peter's shouting "I am Jesus Christ!" He struck it 15 times with a geological hammer. The Virgin's left arm broke off, her nose, eyelid, and veil shattered. Three years of restoration followed; the work is now protected behind bulletproof glass.

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1980 年 culture

西斯汀清洗 19 年·爭議「過度清潔」 Sistine Cleaning, 1980-1999 — Controversy over "Over-Restoration"

西斯汀清洗 19 年·爭議「過度清潔」 / Sistine Cleaning, 1980-1999 — Controversy over "Over-Restoration"
圖:Michelangelo · Public domain · Wikimedia CommonsImage: Michelangelo · Public domain · Wikimedia Commons

500 年蠟燭煙、灰塵、霉變使天頂與《最後的審判》全暗。日本 NTV 贊助 19 年清洗工程。揭露原本明亮鮮豔的色彩——粉、橘、青藍——震驚學界。但部分藝術史家批評:清洗也去掉米開朗基羅最後加上的暗色潤飾、「徒留底色」。爭議至今未息。

500 years of candle soot, dust, and mold had darkened the ceiling and the Last Judgment to obscurity. A 19-year cleaning campaign sponsored by Japan's NTV revealed the originally bright pink, orange, and azure palette — a stunning revelation. But some art historians charged the cleaning also stripped Michelangelo's final dark glazes, leaving "bare underpainting." The controversy is still unresolved.

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